the GANZFELD No. 2 & 3
PUBLISHING, creative direction & design
Gathering together a diverse selection of design, illustration, comics, and picture stories along with essays that place them in a historical and critical context, The Ganzfeld was a unique visual take on the world. Issues two and three included work by Peter Blegvad, Seymour Chwast, Paul Cox, Paul Davis, Edward Fella, Renée French, Steven Guarnaccia, Red Grooms, Joseph Holtzman, Richard McGuire, Mike Mills, Mark Newgarden, Gary Panter, Lauren Redniss, Leah Singer, Chris Ware, and Lawrence Weschler.
“It's not clear whether the third issue of The Ganzfeld should be regarded as a periodical or a book--but either way, it's gloriously illustrated and esoterically insightful. Its graphically extravagant essays often consider the spectacular results when worlds collide. The cover depicts an ordinary moth given Blakean magnitude by an EverSmart Pro Scanner. Julie Lasky profiles Tony Sarg, who turned tiny cartoon characters into godlike giants by inventing Macy's Thanksgiving Day Parade. Hitchcock explains the elaborately artificial Rube Goldberg devices needed to create "reality" in what he called "My Most Exciting Picture" (Rope). Peter Blegvad illustrates the amazing impact on his imagination of the light-bulb-in-the-milk-glass scene from Hitchcock's Suspicionit provoked an intellectually superb and astoundingly extended poetical meditation. Lawrence Weschsler unveils his lost essay on Edward Snow, the world's strangest explicator of Bruegel and Vermeer. The Ganzfeld 3 is like that spore that invades the ant's brain in Weschsler's book on the Museum of Jurassic Technology: once it gets inside your head, your imagination will never be the same.” —Tim Appelo
TITLE: The Ganzfeld No. 2 & 3
AUTHORS: Peter Buchanan-Smith, Dan Nadel
PUBLISHER: PictureBox Inc.
DATE: 2002, 2003
CREDITS: Peter Buchanan-Smith (design)